NW? Zadie Smith’s new novel? I waited seven years for you.
Now that we have finally spent a few days together what am I left with? Was it worth the weight? I say yes.
NW is not straight forward storytelling and good thing
because given the story I could have thought I was reading a Jodi Picoult
novel. Two girls, different classes, different ethnic groups, different side of the tracks, societal issues,
race issues, questions about marriage, parenthood and career, then people grow up.
It’s the kind of story that when you compare the basic elements of the plot you
know that this is a tale that is published every day but none of those books
are written like NW.
The novel is stylized but not at all inaccessible. This is not
two girls waiting for Godot. It’s very readable. There are the Big Life Events
you expect for this type of an over the years, coming of age novel but they are
not always presented in the way that we are used to. NW is more challenging
than experimental. There is nothing in Smith’s technique that’s style over
substance but there is a shuffling timeline and nontraditional storytelling
that make good use of her excellent writing skills and do require the reader’s
attention.
I like the way Smith writes. In contradiction to the plot
(And how many 1000’s of novels fall into the same category an NW? Should I even
be quibbling about that? Am I only doing so because Smith has taught me to
expect so much from her? ) the writing in NW is ambitious. Smith’s play with
structure is intriguing and creative. Her
ear for dialog and her dissection of London are brilliant. This is a big
picture novel where ideas are in play and Zadie Smith manipulates it all.